Mostrando entradas con la etiqueta bonafont. Mostrar todas las entradas
Mostrando entradas con la etiqueta bonafont. Mostrar todas las entradas

lunes, 13 de noviembre de 2017

Arturo Bonafont and the local method of Self-defense with walking cane.



The stick, or just a stick, was the first weapon of the man. Thus, remember that the weapon is the hand that holds it, and the so-called "weapon" is just the tool.

The cane as an instrument of self-defense existed in many cultures, the Basques, for instance, used the makila, a cane that they learned to handle with precision, and due to that, Napoleon Bonaparte, created a platoon of Basques with makilas. In Argentina, the Basques acted as security guards in some pulperías (which were small groceries or stores in the Argentinean countryside) to calm down the troublemakers.

In Europe, the father of  the cane combat was the Frenchman Pierre Vignny, who also taught the techniques to Edward William Barton-Wright, the creator of Bartitsu, known as "the fighting arts of Sherlock Holmes."
The Irish also developed a cane fighting method called batareaicht, fought it with the shillelagh, a very hard cane, a baton, and combined it with a fighting style called Gleacaíocht, where fists, sticks and legs were combined.
As we see, fighting with clubs is a worldwide art, thus..., in South America we also had our own, a totally native discipline of fencing, and this story begun around 1900, in Buenos Aires City and its surroundings.


The tango was a music that was heard in the bars and bordellos of the slums, a music of the lower and working class, who spent their daily wage, after work, with women and so on, as time went by, tango became their chosen rhythm, while “the upper class young man”, he also wanted to go to know it in those cafés, tango was becoming fashionable...

What do you think would happen if ... in such a place? in a bordello, for instance, in the slums, it could have been in Isla Maciel, Dock Sud, or Boedo; where could be found dock workers, slaughter house workers, laborers, and others, who spent their time there before coming home, to find some warm company there ... and what could have happened, if they saw an upper class young man coming in there, in his expensive suit, putties and bow tie?..., well, nothing could have ended up well for him, let’s remember that it was the time of tough guys, bullies and braggarts, who always carried a knife, and if you did not have one, there will always be someone willing to give you one.
I addition, at that time, lunfardo, (the Argentinian slang, which developed with terms from everywhere, brought by the European immigrants), was consolidated ,  and the term "patota (gang)"  was created by the upper-class young people who went to the brothels located in marginal places, where they could not individually survive a fight with men from the slums ( experienced knife fighters),  because of that they attended these clubs in a group, that is, in a gang (patota). In addition to cane fighting, fencing and boxing, the French Savate also entered, but the latter discipline was unsuccessful and ceased to be practiced among high society groups.
Finally, these young men acceded to pistols and revolvers of American and European origin that they carried and used indiscriminately.

Among the Buenos Aires elite, the young Jorge Newbery, an exceptional athlete, by the way, along with Delcasse, a fencer, and Arturo Bonafont, who we will speak about later, were the pioneers in the development of self-defense classes for the inhabitants of Buenos Aires, and it is from there on when the spreading of teaching boxing starts, and that is when Arturo Bonafont, on his behalf, starts to teach fencing stick in an important institution called GEBA (Club Gimnasia y Esgrima de Buenos Aires/Buenos Aires Gymnastics and Fencing Club), looking for a synchronism, let’s say that this is like today’s boom of self-defense, why? We all know why.
Now talking about the cane system of Arthur Bonafont, it was born as a need of the gentlemen to defend themselves. The cane, the weapon and symbol of the gentleman, and even the oldest one, is the one chosen for fighting. This system developed by him is totally local, at the same time in Europe, the father of the cane fighting, the Frenchman Pierre Vignny, teaches its use to Edward William Barton-Wright, his system, la Canne Vigny, shows us, that everywhere in each continent  happened the same, from different origins, the cane was born as the gentleman's weapon.



On its side, Bonafont system is wonderful for self-defense, true, fast, simple, powerful, it’s not stick-fighting, that is one of the wonders that Bonafont noticed, you do not have to be involved in a fight, you have to finish it, among its peculiar characteristics, for example, the grip is inverted, which reduces the distance, but it makes it faster, unpredictable and strong, the positions are simple, and natural, the displacements, reduced, with a technique in which you could face one or more opponents, in open and closed spaces.
It was during the 1930's when he left his fighting system documented, his discipline embodied in a combat treaty, in a book titled "Method of Defending oneself with a cane in the Street", by vicissitudes of life, it was impossible for him to write a second part.



Arturo, a man skilled in combat, said about this system, "A solid cane of those  that are simply adopted to serve as support, to the most peaceful man, is a tool that handled by a skilled person in that art, can easily become a highly effective weapon for self-defense. "What a clear vision he had”.
With these words he defined the arrival of a combat "When the time to defend ourselves undoubtedly has come. We must observe instantly the position, attitude, gesture or aggressive movement of the adversary, to apply our attack, arresting or counterattacking his own in the act of its very initiation. Seeing and executing everything with the speed of a lightning bolt has to be all at once "without any doubt he was a spectacular fighter.
Currently the Bonafont system of fencing cane is still alive, you only have to find who teaches you.

Those of us who have fought with a stick, stick-fighting, or any system with a stick, we know that the premise is not to lose the weapon, well, that is basic, and Don Arturo, said this "the blow with the cane has to cross over, has to be given with attitude, to avoid the grasp by your opponent "this only can be said by that who had fought, a real master of fighting...
Currently this system is being disseminated by Maestro Eduardo Festorazzi and Maestro Jorge Prina, of the Argentinian Fencing Association, with extensive research and training, confirming that the legacy of Arturo Bonafont is still alive.

miércoles, 25 de octubre de 2017

El baston del caballero en la Pampa Argentina

El bastón, o simplemente un palo, es sin duda la primer arma del hombre, tanto com compañero de apoyo como para la defensa y ataque, aca un poco de su historia, bueno, recordemos que el arma es la mano que empuña, y el llamada “arma” es solo la herramienta.

Estuvo en muchas culturas, los vascos usaban la makila, un bastón que aprendieron a manejar con precisión, como será que Napoleón Bonaparte, formo un pelotón de vascos con makilas, y en nuestras tierras, hacían de seguridad en algunas pulperías para acomodar revoltosos.
En Europa, el padre del combate de bastón, fue el francés Pierre Vignny, este le enseña el manejo a Eduard William Barton-Wright, creador del Bartitsu, conocido como “el arte de combate de Sherlock Holmes”.
Los irlandeses también desarrollaron método de pelea llamado batareaicht, peleaban con shillelagh, unos bastones muy duros, lo combinaban con un estilo de pelea llamado Gleacaíocht donde se combinaba palos puños y piernas.
Como vemos, pelear con palos es mundial, entonces…, en Sudamérica también tuvimos nuestra disciplina, totalmente propia y criolla, de esgrima de bastón y esta historia comienza alrededor del 1900, en la porteña Ciudad de Buenos Aires y sus alrededores.

El tango era una música que se escuchaba en los bares y piringundines de los arrabales, música de la clase baja y trabajadora, que gastaban su jornal, al salir del trabajo, en percantas y otras cosas, paso el tiempo y el tango era su ritmo, y el dandy, el “joven de buena clase” quiso ir a conocerlo en esos cafetines, el tango estaba poniéndose de moda...
Que creen ustedes que pasaría si… que lugar? en un piringundín, en los arrabales, puede ser en la Isla Maciel, el Dock Sud, o Boedo; con quienes? donde están los trabajadores portuarios, de los frigoríficos, peones, y otros, que pasan antes de volver a su casa, a buscar un poco de calor allí…y que pasa? ven entrar a ese dandy, con su traje caro, con polainas y pajarita…bueno, no terminaba nada bien, más propiamente dicho para el dandy, todo mal, recordemos que es época de guapos, taitas y compadritos, y para quien no tiene un cuchillo, siempre alguien le facilita uno.

Dato aparte, en esta época es donde se consolida el lunfardo, el término “patota”, lo crearon los jóvenes de clase alta que concurrían a los prostíbulos ubicados en lugares marginales donde individualmente no podían sobrevivir a una pelea con hombres de los barrios bajos (cuchilleros experimentados), por ello asistían  a esos antros en grupo, es decir en patota. Además de la esgrima de bastón, de estoque y del boxeo, también incursionó el savatte francés, pero esta última disciplina no tuvo éxito y dejó de practicarse entre los grupos sociales altos.
Por último, estos jóvenes accedían a pistolas y revólveres de origen americano y europeo que portaban y empleaban indiscriminadamente.
Entre la elite porteña, el joven Jorge Newbery, un deportista excepcional, dicho de paso, junto a Delcasse, esgrimista, y Arturo Bonafont, de quien hablaremos, tomaron la punta para la auto defensa del porteño, se comienza a difundir la enseñanza de boxeo y allí es cuando Arturo Bonafont, comienza a enseñar en GEBA (Gimnasia y Esgrima de Buenos Aires) esgrima de bastón, buscando un sincronismo, es como hoy día el boom de la defensa personal, porque? Todos sabemos el porqué.
Ahora explayándonos en el sistema de bastón de Arturo Bonafont, nace como una necesidad del caballero para defenderse. El bastón,  el arma y símbolo del caballero, y más antigua, es la elegida para pelear. Este sistema es totalmente argentino, paralelamente en Europa, el padre del combate de bastón el francés Pierre Vignny, le enseña su uso a Eduard William Barton-Wright, su sistema el Canne Vigny, que nos damos cuenta?, en cada continente se da lo mismo, por diferentes orígenes, nace el bastón como arma de caballero.
El sistema Bonafont, es espectacular para la defensa personal, real, rápido, simple, potente, no es stickfighting, esa es una de las maravillas que Bonafont noto, uno no debe mezclarse en una pelea, la debe terminar, entre sus características peculiares, por ejemplo, el grip o agarre, es invertido, lo que reduce la distancia, pero lo hace más veloz, impredecible y fuerte, las posiciones son simples, y naturales, los desplazamientos, reducidos, con una técnica en la cual se podía enfrentar a uno o varios oponentes, en espacios abiertos y cerrados.

Corría la década del ’30 cuando dejo documentado su sistema de combate con bastón, su disciplina la plasmo en un tratado de combate, en un libro titulado “Método de Defenderse con un Bastón en la Calle”, por vicisitudes de la vida, le fue imposible plasmar una segunda parte.
 Arturo, un hombre avezado en el combate decía sobre este tutor,  “Un sólido bastón de los que se adoptan simplemente para servir de apoyo, al hombre más pacífico, es un adminiculo que manejado por una persona experta en la materia, puede convertirse fácilmente, en un arma de gran eficacia para la defensa propia.” Que clara visión tenia.
Con estas palabras definía la llegada al combate “Llegado el momento en que el defendernos se ha hecho imprescindible. Deberemos observar instantáneamente la posición, actitud, ademan o movimiento agresivo del adversario para aplicar nuestro ataque arrestando o contratacando el suyo en el acto de su iniciación. Ver y ejecutar con la velocidad de un relámpago a de ser todo a un tiempo “sin dudas fue un espectacular luchador.
Actualmente continúa vivo el sistema Bonafont de esgrima de bastón, solo hay que encontrar quien te enseñe…
Quienes hemos peleado con bastón, stickfighting, o cualquier sistema con palo, sabemos que la premisa es no perder el arma, bueno, eso es básico, que decía esto Don Arturo “el bastonazo a de ser pasante, dado con actitud, asi evitamos el agarre del mismo por el oponente” esto solo lo puede decir quien peleo, un real maestro de pelea…
Actualmente este sistema está siendo difundido por el Maestro Eduardo Festorazzi y Maestro Jorge Prina, de la Asociación de Esgrima Criolla, contando con una profunda investigación y entrenamiento, ratificando que el legado de Arturo Bonafont, aún está vivo.